As a writer, Dr. Yonce primarily focuses on the areas of flute pedagogy and new music for flute. She also is a frequent album reviewer for The Flute View. If you are interested in having your album considered for review, feel free to contact her.
“The Glissando Headjoint,” on behalf of the New Music Advisory Committee of the National Flute Association, The Flutist Quarterly. Fall 2018.
“Glissando Headjoint for Flute,” Sequenza 21. September 17, 2018.
“Planning and Hosting a Flute Festival,” authored with Misty Theisen, The Flute Examiner. May 2018.
“Janice Misurell-Mitchell: Commissioned Works,” on behalf of the New Music Advisory Committee of the National Flute Association, The Flutist Quarterly. Winter 2017.
“Pixels and Pencils,” by Shaya Bendix Lyon. I was interviewed for this article. Chamber Music Magazine. Summer 2017.
“A Summer Practice Plan,” The Flute View. June 2017.
“The Glissando Headjoint,” The Flute View. July 2015.
“Tracing Flute Development through Examples at the National Music Museum, South Dakota,” Pan, the Journal of the British Flute Society. June 2015.
“Your Career Has Begun: Professionalism as a Student,” The Flute View. May 2015.
“Method Books and Repertoire Options for High School Flutists,” South Dakota Musician. Winter 2015.
“Back to School Tips,” The Flute View. September 2014.
“Jennifer Higdon: Flautist and Composer,” Pan, the Journal of the British Flute Society. December 2013.
“Flute Techniques: Helpful Fingerings for B-Flat,” South Dakota Musician. Spring 2013.
“Synchronicity: is there a larger plan?,” by Niall O’Riordan. I was interviewed for this article. Pan, the Journal of the British Flute Society. March 2013.
“Upbeat about the Internet,” by Em Peasgood. I was interviewed for this article. Pan, the Journal of the British Flute Society. December 2012.
“The Development of Flute Clubs in America,” by Kathy Melago. I was interviewed for this article. Flute Talk. December 2012.
“A Unique Voice in Contemporary American Flute Music,” Flute, the Journal of the British Flute Society. December 2011.
“The Complete Flute Lesson,” Flute Talk. December 2009.
“The Flute in the Baroque Period,” Flute Talk. May/June 2005.
As they appear in The Flute View.
Molly Barth – Thorn
Noemi Gyori – Glowing Sonorities
Black Cedar – A Path Less Trod
Patricia Surman – The American Album
Elisabeth Möst and Maroje Brčić – Accento Austria
Stephen Clark – SoundTracked
Michele Gori – The Electric Flute
Meerenai Shim – Pheromone
Bill McBirnie and Bruce Jones – Grain of Sand
Elizabeth Walker – Finchcocks Schubertiade
RighteousGIRLS – gathering blue
Elise Osner – Unbound
Bevani – Sacred Songs Within
Helen Bledsoe – Ghost Icebreaker
Angela Massey – The Elements
Noteworthy Duo – As In Dreams
The Bill McBirnie Trio – Find Your Place
Martha Councell-Vargas – Gran Danzón
Viviana Guzman – Meditation for Performers
Scott/Garrison Duo – Perennials
AVIDduo – Interactions
Francesca Arnone – Games of Light
Stephen Clark – Explosive
Deborah Lee Yates – Warrior Queen
In Sterio – Awake
Jamie Baum Septet – In This Life
Heidi Alvarez – Flute Chamber Works by Michael Kallstrom, Vol. 2
Meerenai Shim – The Art of Noise
Nicole Esposito – Blue Solitude
Ian Clarke – Deep Blue