Technique stuff
September 20th, 2011 § Leave a Comment
If you are interested in following along with Sir James Galway as he overhauls his technique, check out the following video. He has issued a “Practice Challenge,” where flutists from presumably around the world will all be working out of the same technique book. He will be using Marcel Moyse’s Daily Exercises book. I will be following along with the challenge loosely. I usually work out of this Moyse book every day, so I am going to be adapting the challenge by fiddling around with the articulations.
http://galwaynetwork.com/scale.htm
I’m also feeling rather sheepish about my short-lived experimentations with circular breathing. I started work on it a little over a year ago but didn’t commit to it like I should have. Now I’m kicking myself; if I had stuck with it, I would have probably been fairly fluent in the technique by this point. I’ve dug out my book and am considering adding it to my practice regimen. Anyone out there have any experience with circular breathing?
Taffanel and Gaubert practice tips
June 20th, 2011 § Leave a Comment
My battered copy of 17 Daily Exercises. The cover is around here somewhere...
The book “17 Daily Exercises” (or 17 Grands Exercices Journaliers de Mécanisme) by Paul Taffanel and Philippe Gaubert is the flutist’s bible. Since its publication in 1923, it has become a standard method book for all flutists. Taffanel began writing this book, and it was finished by his student, Gaubert, after Taffanel’s death.
I start my students in this book at a young age with the expectation that they will use it for many years. Even if they initially move at a slow pace, they are still developing technique and will use the book throughout their musical careers.
Some practice tips:
- If you are just starting in this book, work at a very slow tempo and be sure to use a metronome.
- Establish a tempo where you are able to play through the exercise comfortably (and write that tempo down!), then work on increasing the tempo.
- If you run into any problem spots, stop! Work out those isolated areas until they’re as comfortable as the rest of the exercise.
- When the exercise is moving along fairly comfortably, start using the different articulations listed at the top of each exercise.
- Try to work through one of these exercises each week. If that’s too much for you, divide it in half and spend two weeks on each exercise.
Eventually, you will want to work your way through this entire book. However, I prefer that my students tackle exercises 1, 2, 4, and 12 before moving on to the others.
* A note about breathing: Make sure you are breathing in places that make sense. For example, in exercise 4, place a fermata on the first note of measure 5. This is halfway through this key. Then place a fermata on the first note of measure 9. This is the switch from C major to its relative minor. After pausing on these notes, take a breath, and then begin the next section, repeating the note that you held under the fermata.
With diligent practice, you should see nice results in just a few weeks.
Have T&G practice tips of your own to share? Comments welcome!