May 25th, 2011 § Leave a Comment
For me, the summer means working on flute technique. With a substantially pared-down teaching schedule, I transfer the time I would normally spend driving, preparing lectures, and grading exams into practice time. And while I do explore repertoire during this time, I primarily focus on technique. I normally don’t have recitals scheduled until the middle of fall semester or later, so my repertoire practice is limited so I don’t wear those pieces out.
So what do I practice? I keep a lot the same from summer to summer while adding in some new. Lots of Taffanel and Gaubert. I try to play through T&G once a day. Ok, maybe five days a week. It’s a lot of work, and it’s intense. No – I don’t play every single articulation pattern every day. Those are alternated throughout the week. It’s still a good technical kick in the pants.
I’ve also started playing Moyse’s Daily Exercises for the Flute. I try to stay a little more reasonable with this one; I follow the prescribed practice schedule outlined in the front of the book. It’s still a good workout.
This summer, I’m looking at the Jean-Michel Damase 24 Etudes book. I’ve played through a few of these before, but never the entire book. I’m not exactly going in order; yesterday I looked at number 20 and finished it up this morning. This afternoon, I’m looking at number 19. So far, the two are fairly similar. There’s a lot of double-tonguing and patterns that don’t quite match up with nice, clean double-tonguing patterns. There are also the occasional chromatic run and runs that are mostly chromatic but include just enough non-chromatic pitches to cause trouble. It isn’t a huge challenge, but I’m not sight-reading them perfectly, either. If these etudes prove to be very similar to each other, I might throw in the Piazzolla tango etudes for variety.